New international arts residency has contemporary focus
Tuesday 29 July 2014
South Australian artist Christian Thompson is the first recipient of one of the most ambitious international artist-in-residence programmes to be staged in New Zealand.
From October, in a partnership between Whiti o Rehua – The School of Art at Massey University and Wellington City Council, contemporary international artists will live and work on the Wellington waterfront. Starting with Mr Thompson, a photographic, conceptual and performance artist of Aboriginal descent, resident artists will carry out their art in an impressive new studio at the prow end of Clyde Quay Wharf (the old Overseas Passenger Terminal).
Head of the School of Art, Associate Professor Heather Galbraith, says the invitation-only residence, called Te Whare Hēra (the house of the sails) reflects the location’s history of maritime arrivals and departures, and the ‘journey’ inherent in creating new art works. The residency programme is unique in New Zealand for its emphasis on public engagement and is in a highly visible location. Resident artists will lead community-facing events about once every six weeks, enabling Wellingtonians to interact with the artist on a regular basis.
Resident artists will give public talks about their work, interact with tertiary students and be introduced to New Zealand artists, writers, students and curators. Residency coordinator, Associate Professor Ann Shelton, says these aspects of the residency “will help to foster a vibrant exchange of ideas and result in productive conversations between artists and communities of interest, calibrated by the concerns of each artist’s project.”
Ms Galbraith says when Wellington Waterfront Ltd (a council holding company) approached the art school; the staff were delighted and worked alongside the company to develop the idea further. “The partnership with Wellington Waterfront Ltd and the Wellington City Council is incredibly exciting. We all share the desire to bring really relevant, contemporary international art to Wellington.”
Mr Thompson’s body of work fits the residency brief that the artist be contemporary, innovative and engaged. The 36 year-old from Gawler in South Australia, who will be resident in Wellington for two months, is currently completing his doctorate through the Ruskin School of Drawing and Fine Art, Oxford.
He came to prominence in Australia in the late 1990s and his work is primarily focused on the exploration of identity, and in his performances and photographic works he inhabits a range a personas achieved through hand-crafted costumes and carefully orchestrated poses and backdrops. He has presented his photographs, videos and performance works in numerous solo and group exhibitions nationally and internationally. His group exhibitions have included Andy and OZ: Parallel Visions, Andy Warhol Museum USA. Workin Down Under, Wood Street Galleries, USA. Brilliance, Aboriginal Art Museum, Utrecht, The Netherlands.
Massey University through a grant from its Strategic Innovation Fund, and Whiti o Rehua resourcing, with Wellington City Council and Wellington Waterfront Ltd, will fund the Wellington residency project in its first year.
Wellington Waterfront Ltd chief executive Ian Pike says such a “high calibre” international residency will reinforce the capital’s position as a visual arts leader, fostering greater public recognition and debate of contemporary art.
Ms Shelton says that by running the residency, Massey “can make a visible difference to the city’s cultural life and enrich the opportunities for our students.”
The residency covers artists’ travel and accommodation, an honorarium and a materials stipend. Artists will receive technical and logistical support, and access to facilities from Whiti o Rehua, along with facilitation of public events and exhibition of their work.