Peter Turner Memorial Lecture & Scholarship
Each year the College of Creative Arts brings an internationally significant photographic historian, theorist or artist to Wellington to deliver the annual Peter Turner Memorial Lecture.
The lecture has been established in the memory of the late Peter Turner - photographic historian, curator, author, editor, publisher and teacher. Associated with the memorial lecture is a Masters scholarship in Peter Turner’s name in documentary photography at Whiti o Rehua School of Art, Massey University.
The scholarship and memorial lecture series were launched in 2008 and are supported by a funds appeal. Donations to the fund may be made to the Massey University Foundation.
2015 - Paul Seawright
2014 - Robin Hammond (alumnus)
2013 - Geoffrey Batchen
2012 - William Yang
2011 - Cathie Opie
2010 - Thomas Ruff
2009 - Anne Marsh
2008 - Helen Ennis
In 2012 and 2013 an accompanying day symposium has also been held with international and New Zealand speakers.
Peter Turner Memorial Scholarship
Associated with the memorial lecture, the Peter Turner Memorial Scholarship is a Masters scholarship in documentary photography at the Massey University School of Fine Arts. Click here for the application form.
2011 - Shaun Waugh
2010 - Olivia Taylor
2009 - Andrew Ivory
Paul Seawright, Landscapes of Conflict: Photography, Society and Contested Space
Paul Seawright is acclaimed internationally for his photographic depictions of the contested, peripheral and marginal spaces of political and social conflict. Beginning with his own work on the conflict in Northern Ireland Paul Seawright discussed how he and other artists have extended the possibilities of photographing conflict in an era corrupted by mainstream media representations. His photographs of the theatre of war as played out in the internal landscape of the US newsroom reveal the media itself as the creator of illusion and entertainment.
His lecture also explored the interconnecting threads that run through much of his work – from investigatons of the minefields and battlesites of the Afghanistan war to his more recent work about subtle and invisible sites of conflict found in prosaic urban environments – such as the listed dwellings of sex offenders and the invisible sites of military recruitment across the USA.
Paul Seawright is Professor of Photography and Head of Belfast School of Art at the Ulster University. In 2002 he was commissioned by the Imperial War Museum London as War Artist for Afghanistan and his photographs of battle-sites and minefields have subsequently been exhibited in more than 20 countries. In 2003 he represented Wales at the Venice Biennale of Art and in 1997 won the Irish Museum of Modern Art/Glen Dimplex Prize. He has published seven monographs on his multiple award winning photographic projects.